At present, these forms continue to co-exist, albeit in a varying degree, with Azad Nazm having an edge over them all. Soon after the partition of the sub-continent, these forms were reinforced by Triolet, Haiku, Renga and Tanka etc. Beit slightly resemble with form Dohas and Sorthas, moreover also influenced by Persian forms of prosody like Ghazal, Mathnavi, Rubai Kaafi etc., and, thereafter, in the nineteen forties, was further strengthened by Sonnet and Blank Verse.

Sindhi Poetry contain two main original forms of verse, such as 'Beit' and 'Vaei'. Old Sindhi poetry impact upon contemporary languages and also accept the healthy influence of some languages like Hindi. Sindhi poetry is very rich in thoughts as well as contain variety of genres like other developed languages. Sindhi literature (Sindhi: ), is the composition of oral and written scripts and texts in the Sindhi language in the form of prose and poetry. Sindhi is one of the oldest languages of the Indus Valley having itsown literary colour both in poetry and prose. It continues an oral tradition of a thousand years. Due to the influence of contemporary English and Hindi poetry and facing problems of cosmopolitan life, new poetry and ‘anti-poetry’ became popular in Sindhi. Khalifa Gul Mohammad (1809-1856) was the pioneer of Sindhi poetry. History and politics, however, conspired not only to offer Independence, but also to create new borders. Sindhi poetry is poetry written in the Sindhi language ( Template:Lang-sd). Satish Rohra (Photo by Menka Shivdasani) Effect of Partition on the Sindhi Community Seventy years ago, in 1947, India achieved Independence from British colonial rule.

Sindhi poetries